Stephen King already had a pre-existing relationship with Tales From The Darkside, as Season 1 featured an adaptation of his story “ The Word Processor Of The Gods,” and he personally penned the Season 4 episode “Sorry, Right Number.” Tales From The Darkside: The Movie felt from the get-go like a perfect vehicle for a new big screen take on King, and only making things more comfortable was the fact that John Harrison was hired to direct – having been both the first assistant director and composer on Creepshow, and the director of “Sorry, Right Number.” Instead, the production used the “Cat From Hell” script that Romero had already penned, and included it in between McDowell’s chapters. 249' and a riff on Japanese folklore called “Lover’s Vow” – no extra work was necessary to create a third. Romero’s anthology television series Tales From The Darkside was deemed popular enough to inspire the creation of a feature film iteration, and while screenwriter Michael McDowell penned two of the segments – an adaptation of Arthur Conan Doyle's 'Lot No. All those victims return to claim his descendant, who had been fighting efforts to destroy the dam with his legal firm, only for the waterlogged zombies to pull him under the water.The former never ended up finding its way in front of cameras, but the latter found new life from a new home a couple years later. However, the bill comes due when a drought lowers the lake's waters. Over the years, he made a number of similar 'problems' disappear beneath the waters of the lake. Back in the '20s, the town's sinister founder murdered a trio of men who opposed him by chaining them to a stone in the lake bed and letting them drown as the reservoir waters rose around them. The title refers to an artificial reservoir created from the building of a dam, which brought business and prosperity to the nearby town.

'Lake' is well in keeping with that tradition. Its success influenced similar projects, including Tales from the Crypt and an ongoing Creepshow anthology series, as well as the AHS franchise and its anthology format.

Like American Horror Story, Creepshow also revels in irony, a feature of EC's stories which depicted selfish and awful people suffering ghoulish fates as punishments for their various sins. The film succeeded largely on many of the merits that made the American Horror Story franchise such a success, starting with their campy attitude toward their horrors. Like American Horror Stories, Creepshow adopts an anthology format, presenting five shorts in the course of its running time presented as a single issue of the titular comic.

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